{"type":"standard","title":"José Joaquim da Rocha","displaytitle":"José Joaquim da Rocha","namespace":{"id":0,"text":""},"wikibase_item":"Q10309682","titles":{"canonical":"José_Joaquim_da_Rocha","normalized":"José Joaquim da Rocha","display":"José Joaquim da Rocha"},"pageid":72549745,"thumbnail":{"source":"https://upload.wikimedia.org/wikipedia/commons/thumb/4/48/Jos%C3%A9_Joaquim_da_Rocha_-_teto_da_Igreja_de_Nossa_Senhora_da_Concei%C3%A7%C3%A3o_da_Praia_-_completo.jpg/330px-Jos%C3%A9_Joaquim_da_Rocha_-_teto_da_Igreja_de_Nossa_Senhora_da_Concei%C3%A7%C3%A3o_da_Praia_-_completo.jpg","width":320,"height":530},"originalimage":{"source":"https://upload.wikimedia.org/wikipedia/commons/4/48/Jos%C3%A9_Joaquim_da_Rocha_-_teto_da_Igreja_de_Nossa_Senhora_da_Concei%C3%A7%C3%A3o_da_Praia_-_completo.jpg","width":2574,"height":4263},"lang":"en","dir":"ltr","revision":"1271440450","tid":"310ec6ae-d9f6-11ef-8890-57a7fdf40893","timestamp":"2025-01-24T01:54:48Z","description":"Brazilian painter","description_source":"local","content_urls":{"desktop":{"page":"https://en.wikipedia.org/wiki/Jos%C3%A9_Joaquim_da_Rocha","revisions":"https://en.wikipedia.org/wiki/Jos%C3%A9_Joaquim_da_Rocha?action=history","edit":"https://en.wikipedia.org/wiki/Jos%C3%A9_Joaquim_da_Rocha?action=edit","talk":"https://en.wikipedia.org/wiki/Talk:Jos%C3%A9_Joaquim_da_Rocha"},"mobile":{"page":"https://en.m.wikipedia.org/wiki/Jos%C3%A9_Joaquim_da_Rocha","revisions":"https://en.m.wikipedia.org/wiki/Special:History/Jos%C3%A9_Joaquim_da_Rocha","edit":"https://en.m.wikipedia.org/wiki/Jos%C3%A9_Joaquim_da_Rocha?action=edit","talk":"https://en.m.wikipedia.org/wiki/Talk:Jos%C3%A9_Joaquim_da_Rocha"}},"extract":"José Joaquim da Rocha was a Brazilian painter, engraver, gilder and restorer. His entire production was in the field of religious art, with the Catholic Church as his exclusive patron. He left numerous works of a scholarly character, moving away from the popular tradition that was common during the colonial period. Although his work has many moments of high level, it is uneven, partly because, since he became recognized, he always had many disciples and apprentices to assist him, to whom he delivered large portions of the work, and partly because of the use, as inspiration, of a varied iconography in engraving of irregular quality. Both practices were, however, common at the time.","extract_html":"
José Joaquim da Rocha was a Brazilian painter, engraver, gilder and restorer. His entire production was in the field of religious art, with the Catholic Church as his exclusive patron. He left numerous works of a scholarly character, moving away from the popular tradition that was common during the colonial period. Although his work has many moments of high level, it is uneven, partly because, since he became recognized, he always had many disciples and apprentices to assist him, to whom he delivered large portions of the work, and partly because of the use, as inspiration, of a varied iconography in engraving of irregular quality. Both practices were, however, common at the time.
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